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Topic 1 of 1
Alphabetical Index
0
0VU
1
1/4 wave-length rule
100 volt line
100 volt line amplifers
12AU7 Driver
12AX7
12dB/octave
2
2 way passive crossover
2001 A Space Odyssey
-
-20dB Pad
2
24dB/octave
2JJ
3
3 way passive crossover
3D Spatial realism
4
4th order
5
5.1 home cinema
6
6.3V heaters
6550
6BQ5
6CA8
7
70 volt line
70mm film
8
8 track Ampex
85dB SPL Reference
A
A chain
A Weighting
A Wrong Way to The Top
Absorption coefficient
AC boot-strapped Driver
Academy characteristic
Acoustic absorption
Acoustic lens
acoustic masking
Acoustic wave guides
Acoustical gain
Acoustics
Active crossovers
Alexander Grahame Bell
Alignment steps
Altec A7
Ampeg
Amplifier
- Solid state amplifiers
- Driver circuits and Op-amps
- Amplifier parameters
- Amplifier Power
- Output stage
- Class D Amplifier
- Power supply
- Solid State amps verses Valve amps
- Amplified music
- Instrument amp history
- Solid-state valve amp
- Guitar valve amp service
- Valve Amps
- Valve amp basics
- Pre-amp and Driver
- Output stage
- Output transformers
- Power-supply
- Valve verses Solid-state amps
Amplifier efficiency
Amplifier in-stability
Amplifier Power
Anechoic
Anechoic chamber
Anode load
Apparent acoustical center
Apparent sound source
Arching
ARP synthesizer
Audio education
Audio Engineering
audio isolation transformers
Audio phase detection
Audio Propagation
Audiophiles
Auditory perception
B
B chain
B+ Supply Voltage
Back EMF
balanced cable
Balanced inputs
bass horn
Bass Reflex
Bass trap
Ben Hur
Bias Calibration
Bias creep
Bias Current
Biasing output Tubes valves
Billy Thorpe and the Aztecs
Bit pool
Bits per word
Block diagrams
Blumlein Difference Technique
Bob Dylan
Breakfast at Tiffanys
Bridge
Bridge rectifier
Bruce Brown
Bullet tweeter
C
C Weighting
Capacitor Microphones
Cardioid mics
Catch diodes
Cathode bias
Cathode follower
Cavity Drive
Choke Input Filter
Cinerama
Class A
Class AB
Class B
Class D
Class G
Class H
Clipping
Coincident figure 8
Comb filter
Comb-filter distortion
Common mode rejection
Comparator inputs
Compound complementary
Compression driver diaphragm
Compression driver horns
Compression limiting
Compression tweeter
Compression-limiting
Concert sound systems
Constant current amplifier
Constant directivity
Copper caped pole piece
Coupling capacitors
Critical distance
Cross monitoring
Crossover distortion
Crossover order
Crossover points
Crossovers
Current drive
cycle
D
Damping factor
Darlington complementary
Data compression
David Lean
dB
dB/mW
dBU
DC heaters
DC offset
decade
Decca Tree
Decibel
Decoupling
Delay
Depth of field
Diffraction Horn
Diffusion
Digital compression
Digital sound
Diodes
Direct coupled
direct field
Directivity
Django Reinhardt
Dolby SR-D
Dolby stereo
Doug Parkinson and the Questions
Driver circuits
DTS Digital Theatre Systems
Ducking Cross limiting
Duncan McGuire
Dynamic microphone
Dynamic range
E
Early reflections
Effects
Efficiency
EI core C Core
EI transformer
EL34
Electret microphones
Electro Acoustic Engineering
Electrolytic Capacitor
Electrolytic Capacitors
Elliott Gordon Union
EQ Equalization
Equalization
Etone speakers
F
Fader
Fairlight CMI
far field
Fender
Fender Rhodes
Filter Choke
Fisher
Flash over
Flow charts
Forward bias
Free field
Full wave rectifier
Fusion
G
Gary Nessel
George Augspurger
Golden Era of cinema
Greatful Dead sound system
Grid stoppers
H
Hammond B3 M
Harry F Olsen
Headroom
Hearing damage
Hearing direction
Heat dissipation
Heater Filament
Heat-sink
Hi-camp culture
Hi-Pass Filter HPF
Horn clusters
Horn dispersion
HPS-4000
HT fuse
Hybrid Forward Emitter
Hyper Cardioid
Hyper compression
I
IMAX
Impedance matching
Impedance Ratio
Index
Indirect heating
Inductance
Installation techniques
Interleaving
Intermodulation
Inverse square law
Isobaric
J
JBL 5674
Jeff St John
John Burnett
John Sweeney
K
Kath Walters
L
Large horns
Leak
Lenard Audio
Lenard K4
Les Paul
Leslie Cabinet
Line array
Line source dispersion
Line systems
line transformers
Linkwitz-Riley
live mixing
Live music sound system history
Live sound application
Lobing distortion
Log Linear pots
Loss-less compressed
Loss-less un-compressed
Lossy-compressed
L-pad
LSD Fog
M
Marshall
Marshall McLuhan
Matched Valves
Matched Valves Tubes
Matching output Tubes Valves
McIntosh
Michael Dixon
Microphone
Microphone placement
Microphone Polar Response
Microphone techniques
mid range horn
Mixing
Moog synthesizer
MOS-FET
Motor boating
MPEG MP3
Multi cell horn
Music bandwidth
Music clarity
musical notation
N
near field
Negative bias
Negative feedback
Noise floor
Noise gate
Noise Reduction
O
Occult audiophilism
Omni Directional
Op-amps
Open loop gain
ORTF technique
Output Impedance
Output stage
Output Transformer
Output valves
Overdrive
P
PA
Panning
Parasitic oscillation
Passive crossovers
Peak limiting
Pentode
period
Phantom power
Phase plug
PI Winding
Polar responce
Ported cabinet
Power factor
Power Tubes
Power valves
Pressure Zone Microphone
Primary winding
Pro-sound Studio
Proximity effect
Psycho-acoustic masking
Pulse Width Modulation Amplifiers
PZM
Q
Q
Quad
Quiescent current
R
Rail Voltage
Ray Arnold
Rectifier
Rectifier Valve
reverberant field
Reverberant noise
Reverberation
Ribbon microphones
Richard Priddle
Ring radiator
RMS amplifier power
Roadies
Rock'n'Roll
Rod Elliott
Roger Foley
Room Constant
Room resonance
S
Sabin
Sampling rate
School Of Audio Engineering
Screen Regulation
Screen speakers
Screens
SDDS Sony Dynamic Digital Sound
Sealed cabinet
Secondary winding
Series parallel
SET
Shelving
Shotgun Microphone
Signal level
Single ended Triode
Six degrees of separation
Slap echoes
Slew
Slot radiator
Solid-state
Sound Absorption
Sound direction
Sound image
Sound Localisation
South Pacific
Spacial image
Speaker cabinets
speaker cables
Speaker construction
Speaker damping
Speaker dispersion
Speaker frequency responce
Speaker horn
Speaker Impedance
Speaker Load
Speaker placement
Speaker polarity
Speaker power
Speaker Q
Speaker resonance
Speaker time alignment
spectral energy
Spectral energy response
Split load Inverter
Standing Waves
Stereo 3D
Stereo image
Studio monitors
Sub-woofer EQ
Supply rails
Surround delay time
Surround speakers
Sweet spot
Swinging choke
Switch mode power supply
Synesthesia
T
T60
Tetrode
The Beatles
The Kinks
The Misner Factor
Time delay
Todd-AO
Tomlinson Holman
Tone controls
Tony Traughton
Toroidal
Toroidal Transformer
Transient headroom
Transients
Transistors
Triode
tube amp
Tully
Turns Ratio
U
Ultra Linear
V
valve amp
Valve amp myths
Valve rectifier
Valve sound
Valve Tube reliability
Vase amps
Victor Kay Etone
Vince Lipton
Vinyl Records
Voice Coil
Voltage Doubler
Voltage drive
Voltage rails
Voltage regulators
Vox guitar amplifiers
W
Wall Street
wavelength
Wavelength propagation
Williamson amplifier
X
X-curve
XY technique
Z
Zero output Impedance
Zobel network
End of Topic 1
Written by John Burnett
Created: 01-Jun-2014
Modified: 04-Jun-2014
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